Shows · Alice Ripley
Alice Ripley (born 1963 or 1964) is an American actress, singer, songwriter and mixed media artist. She is known, in particular, for her various roles on Broadway in musicals, including the Pulitzer Prize-winning Next to Normal (2009 Tony Award for Best Actress in a Musical) and Side Show. She most recently played three roles in the short-lived Broadway musical, American Psycho. Alice Ripley has released albums with her band, RIPLEY, including the single, "Beautiful Eyes", released in February 2012. She also performs as a solo artist, while in February 2011 she released Alice Ripley Daily Practice, Volume 1, a stripped-down collection of acoustic rock covers.
On stage 11 productions, 29 years
| 1987 | Les Miserables Broadway Theatre · Original · directed by Trevor Nunn & John Caird | 6,680 perf. |
| 1993 | The Who\ St. James Theatre · Original · directed by Des McAnuff | 899 perf. |
| 1994 | Sunset Boulevard Minskoff Theatre · Original · directed by Trevor Nunn Musical Staging: Bob Avian | 977 perf. |
| 1997 | King David New Amsterdam Theatre · Original · directed by Mike Ockrent | 6 perf. |
| 1997 | Side Show Theatre unknown · Original · directed by Robert Longbottom | 91 perf. |
| 2000 | James Joyce's The Dead Belasco Theatre · Original · directed by Seán Curran | 120 perf. |
| 2000 | The Rocky Horror Show Circle In The Square Theatre · Revival · directed by Christopher Ashley | 437 perf. |
| 2001 | Dreamgirls Ford Center For The Performing Arts · Revival · directed by Brenda Braxton | 1 perf. |
| 2005 | Children and Art New Amsterdam Theatre · Original · directed by Lisa Shriver | 1 perf. |
| 2009 | Next to Normal Booth Theatre · Original · directed by Michael Greif | 733 perf. |
| 2016 | American Psycho Gerald Schoenfeld Theatre · Original · directed by Rupert Goold | 54 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Timothy Shew | 3 productions |
| Stephen Bogardus | 3 productions |
| Kristen Behrendt | 3 productions |
| Judy Kuhn | 3 productions |
| Hugh Panaro | 3 productions |
| Emily Skinner | 3 productions |
| David Masenheimer | 3 productions |
| Timothy Warmen | 2 productions |
| Terrence Mann | 2 productions |
| Susan Dawn Carson | 2 productions |
| Stephen R. Buntrock | 2 productions |
| Rosa Curry | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- ‘ Jarrod Emick, with his Dick Tracy jaw and boy scout demeanour, makes a terrific, four-square Brad, while Alice Ripley is funny and sexy at the same time, not an easy accomplishment,’ acknowledged Michael Kuchwara, drama critic for the Associated Press. ‘Both show their considerable musical-comedy training, delivering their numbers with…Still the Beast is Feeding_ 40 Years of Rocky Horror - Rob Bagnall & Phil Barden
- ‘ Alice Ripley as Janet stands out, not just for her delicious shuffle between coyness and lust, but also for the surprisingly seamless way in which she adapts her classically pure voice to the rude rhythms of the score,’ said Fintan O’Toole for the Daily News , while Variety ’s aforementioned Charles Isherwood described the actress herse…Still the Beast is Feeding_ 40 Years of Rocky Horror - Rob Bagnall & Phil Barden
- Thus, thanks mostly to the skilful performance of the actress, the fairly harmless – though undeniably erotic – action of Alice Ripley’s Janet boldly whipping off her bra, a mere heartbeat before a blackout completely obscured her inferred seduction of Rocky Horror, was absolutely in accordance with the spirit of the show’s innocently sub…Still the Beast is Feeding_ 40 Years of Rocky Horror - Rob Bagnall & Phil Barden
- ‘ I can complain that Alice Ripley’s topless nanosecond is demeaning and gratuitous,’ nitpicked the rather aptly-named Martin Denton in a short list of minor quibbles during his otherwise upbeat online review of the production for NYtheatre.com.Still the Beast is Feeding_ 40 Years of Rocky Horror - Rob Bagnall & Phil Barden
- And the media bombardment was just beginning. First, the theatre community unleashed its outrage. Alice Ripley, who won a Tony playing Jenn Damiano’s mother in Next to Normal, tweeted, “Does someone have to die?” And original Rent cast member Adam Pascal posted on Facebook that “they should put Julie Taymor in jail for assault!”Song of Spider-Man_ The Inside Story of the Most Controversial Musical in Broadway History - Glen Berger
- The musical was revived by Encores! at City Center on March 26, 1998, for five performances; the cast included Burke Moses (Li’l Abner), Alice Ripley (Daisy Mae), Dick Latessa (Pappy Yokum), Dana Ivey (Mammy Yokum), Lea DeLaria (Marryin’ Sam), and, reprising her role from the original production, Julie Newmar as Stupefyin’ Jones. The musi…Complete Book of 1950s Broadway Musicals, The - Dan Dietz
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.
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