Shows · Arnold Wilkerson
Arnold Wilkerson (born April 6, 1943) is an American actor and the creator and owner of the Little Pie Company in Manhattan, New York City. As an actor, he is particularly known for portraying roles in the original productions of the musicals Hair, Jimmy Shine, and Don't Bother Me, I Can't Cope.
On stage 2 productions, 4 years
| 1968 | Jimmy Shine Brooks Atkinson Theatre · Original · directed by Donald Driver | 161 perf. |
| 1972 | Don’t Bother Me, I Can’t Cope Playhouse Theatre · Original · directed by Vinnette Carroll | 1,065 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
In the literature3 passages
- HOPE CLARKE, BOBBY HILL, MICKI GRANT, ARNOLD WILKERSON, ALEX BRADFORD in “DON'T BOTHER ME, | CAN’T COPE”A Pictorial History of the American Theatre, 1860-1985 (Blum)
- Hope Clarke, Micki Grant, Arnold Wilkerson, Carl Bean, Charles E. Campbell, Bobby L. Hill, Willie James McPhalter, Gerald Francis, J. L. Harris, Leona Johnson, Philip A. StampsTheatre World, 1971-72 Season, v. 28 (Willis)
- UNDERSTUDIES: Alex Bradford. Alberta Bradford; Bobby Hill, Ben Harney; Micki Grant, Marie Thomas; Arnold Wilkerson, Ben Harney; Hope Clarke, Arlene Rolant; Arlene Rolant, Leona JohnsonTheatre World, 1972-73 Season, v. 29 (Willis)
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.
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