Christopher Renshaw

Also credited on1 work

High Society

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

• The Rodgers and Hammerstein Organization had gotten wind of an unusual and lavish, almost surreal, Australian production directed by Christopher Renshaw and toplin- ing former child star Hayley Mills as Anna Leonowens.I'm the Greatest Star_ Broadway's Top Musical Legends from 1900 to Today - Robert Viagas
• THE KING AND I Music, Richard Rodgers; Lyrics/Book, Oscar Hammerstein II; Director, Christopher Renshaw; Original Choreography, Jerome Robbins; Musical Staging, Lar Lubovitch; Musical Director, Michael Rafter; Musical Su¬ pervision, Eric Stem; Orchestrations, (original) Robert Russell Bennett, (new) Bruce Coughlin; Sets, Brian Thomson; Co…Theatre World, 1996-97 Season, v. 53 (Willis)

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any staging. This name appears in no production cast list we hold, most often because the person was a writer, composer or designer rather than a performer.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (director) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.