Dan Shapiro

Also credited on1 work

Ankles Aweigh

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature4 passages

• Lyrics : Chakraband (Bhumibol’s cousin), Bob Hilliard, Herb Magidson, Harold Rome, Dan Shapiro, and N. TongyaiComplete Book of 1950s Broadway Musicals, The - Dan Dietz
• Ankles Aweigh was a reunion of sorts for lyricist Dan Shapiro and book writers Guy Bolton and Eddie Davis, all of whom had collaborated on the 1944 hit musical Follow the Girls . Perhaps Ankles Aweigh ’s Spud and Dinky were a subtle homage (and a subtle sequel) to the earlier musical’s sailor-characters Goofy, Spud, and Dinky.Complete Book of 1950s Broadway Musicals, The - Dan Dietz
• (*) “To Be or Not to Be (in Love)” (lyric by Ray Golden, Dan Shapiro, and Milton Pascal; music by Phil Charig) (choreography by Ludmilla Kiro) (Wardrobe Woman: Barbara Heller; Dancers: Joanne Larkin, Kelly Brown; Singers: Aileen Stanley Jr., Alec Davis); originally performed in the 1955 Broadway revue Catch a Star! ;Complete Book of 1950s Broadway Musicals, The - Dan Dietz
• Music by Phil Charig; lyrics by Dan Shapiro and Milton Pascal; book by Guy Bolton, Eddie Davis and Fred ThompsonWest End Broadway_ The Golden Age of the American Musical in London - Adrian Wright

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any staging. This name appears in no production cast list we hold, most often because the person was a writer, composer or designer rather than a performer.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (lyricist) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.