David Margulies

On stage 13 productions, 30 years

1973	The Iceman Cometh Circle In The Square Theatre · Revival · directed by Theodore Mann	85 perf.
1976	Comedians Music Box Theatre · Original · directed by Mike Nichols	145 perf.
1976	Zalmen or The Madness of God Lyceum Theatre · Original · directed by Alan Schneider	22 perf.
1979	Break a Leg Palace Theatre · Original · directed by Charles Nelson Reilly	1 perf.
1981	The West Side Waltz Ethel Barrymore Theatre · Original · directed by Noel Willman	126 perf.
1983	Brighton Beach Memoirs Alvin Theatre · Original · directed by Gene Saks	1,299 perf.
1989	Café Crown Brooks Atkinson Theatre · Original · directed by Martin Charnin	3 perf.
1992	Conversations With My Father Royale Theatre · Original · directed by Daniel Sullivan	402 perf.
1993	Angels in America: Millennium Approaches Walter Kerr Theatre · Original · directed by George C. Wolfe	367 perf.
1993	Angels in America: Perestroika Walter Kerr Theatre · Original · directed by George C. Wolfe	217 perf.
1996	A Thousand Clowns Criterion Center Stage Right · Revival · directed by Scott Ellis	32 perf.
2001	45 Seconds From Broadway Richard Rodgers Theatre · Original · directed by Jerry Zaks	73 perf.
2003	Wonderful Town Theatre unknown · Revival · directed by Kathleen Marshall	497 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Kevin Carroll	3 productions
Tracy Sallows	2 productions
Stephen Spinella	2 productions
Ron Leibman	2 productions
Rick Faugno	2 productions
Megan Gallagher	2 productions
Marcia Gay Harden	2 productions
Laurie Kennedy	2 productions
Kathleen Chalfant	2 productions
Judd Hirsch	2 productions
John Procaccino	2 productions
Joe Mantello	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

• fkl Jonathan Pryce Top Right: David Margulies, Larry Lamb, John Lithgow, Milo O'Shea, Jeffery DeMunnTheatre World, 1976-77 Season, v. 33 (Willis)
• Jonathan Pryce, John Lithgow, Jeffery DeMunn Above: Jonathan Pryce, Milo O'Shea, David MarguliesTheatre World, 1976-77 Season, v. 33 (Willis)
• David Margulies (foreground), Patricia O’Connell, Jack Weston, Michael Connolly, Julie Harris, Joseph Leon, Rene Auberjonois, James Cahill, Timothy LewisTheatre World, 1978-79, v. 35 (Willis)
• THE END OF THE WAR by Vincent Canby; Director, David Margulies; Set, David Mitchell; Lighting, Richard Nelson; Costumes, Madeline Cohen; Stage Managers, Michael S. Mantel, Lynn Foss; Press, Faith Geer CAST: Paul Austin, John Ellerbrock,Theatre World, 1978-79, v. 35 (Willis)
• Madeline Cohen; Stage Manager, David S. Rosenak THE MAN WITH THE FLOWER IN HIS MOUTH by Luigi Pirandello, with David Margulies, Stefan Gierasch, Schellie Archibold; THE OLD TUNE by Robert Pinget; English text by Samuel Beckett; withTheatre World, 1978-79, v. 35 (Willis)
• Laurie Heineman (Diana/Mrs. Taylor/ Miss Fowler/Grace/Edie/Lucille), Salem Ludwig (Grandpa/Tony/Kapush), David Margulies (Moe/Farmer)Theatre World, 1979-80 Season, v. 36 (Willis)

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.