Shows · George Hearn
George Hearn (born June 18, 1934) is an American actor and bass-baritone singer, primarily in Broadway musical theatre. Some of his Broadway credits include Albin in La Cage aux Folles, the title role in Sweeney Todd: The Demon Barber of Fleet Street, Max von Mayerling in Sunset Boulevard, John Dickinson in 1776, Mr. Otto Frank in The Diary of Anne Frank, and The Wonderful Wizard of Oz in Wicked. For his work, he won two Tony Awards for La Cage aux Folles and Sunset Boulevard. As well as being nominated for three others. He also was nominated for an Laurence Olivier Award for La Cage aux Folles and won an Emmy Award for Sweeney Todd: The Demon Barber of Fleet Street.
On stage 18 productions, 46 years
| 1966 | A Time for Singing Broadway Theatre · Original · directed by Donald McKayle | 41 perf. |
| 1973 | The Changing Room Morosco Theatre · Original · directed by Michael Rudman | 192 perf. |
| 1975 | Hamlet Vivian Beaumont Theater · Revival · directed by Michael Rudman | 47 perf. |
| 1977 | An Almost Perfect Person Belasco Theatre · Original · directed by Zoe Caldwell | 108 perf. |
| 1979 | I Remember Mama Majestic Theatre · Revival · directed by Cy Feuer | 108 perf. |
| 1979 | Sweeney Todd: The Demon Barber of Fleet Street Uris Theatre · Original · directed by Harold Prince | 557 perf. |
| 1980 | Watch on the Rhine John Golden Theatre · Revival · directed by Arvin Brown | 36 perf. |
| 1982 | A Doll's Life Mark Hellinger Theatre · Original · directed by Harold Prince | 5 perf. |
| 1982 | Whodunnit Biltmore Theatre · Original · directed by Michael Kahn | 157 perf. |
| 1983 | La Cage aux Folles Palace Theatre · Original · directed by Arthur Laurents | 1,761 perf. |
| 1988 | Ah, Wilderness! Neil Simon Theatre · Revival · directed by Arvin Brown | 13 perf. |
| 1989 | Ghetto Circle In The Square Theatre · Original · directed by Gedalia Besser | 33 perf. |
| 1989 | Meet Me in St. Louis Gershwin Theatre · Original · directed by Louis Burke | 252 perf. |
| 1994 | Sunset Boulevard Minskoff Theatre · Original · directed by Trevor Nunn Musical Staging: Bob Avian | 977 perf. |
| 1996 | Angela Lansbury - A Celebration Majestic Theatre · Original · directed by Diana Baffa-Brill | 1 perf. |
| 1997 | The Diary of Anne Frank Music Box Theatre · Revival · directed by James Lapine | 221 perf. |
| 2005 | Children and Art New Amsterdam Theatre · Original · directed by Lisa Shriver | 1 perf. |
| 2012 | Scandalous Neil Simon Theatre · Original · directed by David Armstrong | 29 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Walter Charles | 3 productions |
| Rex Robbins | 2 productions |
| Peter Reardon | 2 productions |
| Merle Louise | 2 productions |
| Maggie Task | 2 productions |
| Len Cariou | 2 productions |
| Larry Small | 2 productions |
| Kyle Whyte | 2 productions |
| Kevin Marcum | 2 productions |
| Jordan Leeds | 2 productions |
| James Sutorius | 2 productions |
| Harris Yulin | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 6 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on5 works
Merrily We Roll Along
Wicked
Follies
South Pacific
Company
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Concert cast (1985) : Barbara Cook, Betty Comden, Adolph Green, Lee Remick, Mandy Patinkin, Licia Albanese, George Hearn, Phyllis Newman, Carol Burnett, Elaine Stritch, Paul Gemignani (conductor). RCA HBC2–7128.Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block
- FILM (Warner Bros. 1982) : Cast: Angela Lansbury, George Hearn. Produced by Bonnie Burns. Directed for the stage by Harold Prince; directed for television by Terry Hughes. [139 minutes]Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block
- The New York City Opera Company revived the musical twice at the New York State Theatre, first on October 3, 1985, for thirteen performances (George Hearn and Theodore Baerg alternated the role of Hajj), and then on July 13, 1986, for eight performances (Timothy Nolen was Hajj).Complete Book of 1950s Broadway Musicals, The - Dan Dietz
- George Hearn, Walter Charles, Keene Curtis, and Gary Beach all had something in common when playing Albin and his onstage alter ego Zaza in La Cage aux Folles. They were excellent in portraying a female impersonator.B007L4OWCU EBOK - Peter Filichia
- The original production had had George Hearn’s Albin and Gene Barry’s Georges walk off arm in arm at the end of the show. True, in the revival that had played five years earlier, Gary Beach and Daniel Davis kissed—just as Kelsey Grammer and Douglas Hodge did here. But Hodge threw himself into it with an extra zest. So even those who came…B007L4OWCU EBOK - Peter Filichia
- Cast: George Hearn, Gene Barry, Jay Garner, John Weiner, Elizabeth Parrish, Leslie Stevens, William Thomas Jr., Merle LouiseBroadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.
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