George Weiss

Also credited on2 works

First Impressions
A Wonderful World: The Louis Armstrong Musical

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature5 passages

• Mr. Wonderful . Music and lyrics by Jerry Bock, Larry Holofcener, and George Weiss. Vocal selections: Warner Brothers, 1989.B00590X4L8 EBOK - Philip Lambert
• Mr. Wonderful . Book by Joseph Stein and Will Glickman. Music and lyrics by Jerry Bock, Larry Holofcener, and George Weiss. New York: Hart Stenographic Bureau, 1956.B00590X4L8 EBOK - Philip Lambert
• Hugo & Luigi and George Weiss providing book as well as score, on April 4, 1974, at the Off-Broadway Eastside Playhouse for a scant seven performances.More Opening Nights on Broadway - Steven Suskin
• Glenn Paxton, George Weiss; Directed and Choreographed by Jeffery K. Neill; Musical Direction and Special Arrangements, Wendell Kindberg; Production and Costumes Designed by Charles W. Roeder; Producer, Robert Alan Resnik; Production Assistant, Harry Levy; Lightmg, Charles Sachs, Pat Brooks, Judy Walsh; Props, Tom Lee; Piano, Wendell Kind…Theatre World, 1972-73 Season, v. 29 (Willis)
• Joe Polivy, George Weiss (16 performances) WE HAVE ALWAYS LIVED IN THE CASTLE by Hugh Wheeler, from the novel by Shirley Jackson; Director, Gene Santarelli; Set, Rob Hamilton; Costumes, Deborah Friedman; Lighting, Stephen P. Edelstein; Stage Manager, Toby Mailman. CAST: Pamela Barone, Patrick Crea, Ginger Grace, Patrick Hazelwood, Paul Ka…Theatre World, 1979-80 Season, v. 36 (Willis)

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any staging. This name appears in no production cast list we hold, most often because the person was a writer, composer or designer rather than a performer.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (composer) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.