The Drama Nerds Database

Gil Rogers

Shows · Gil Rogers

On stage 19681983

On stage 4 productions, 15 years

1968 The Great White Hope Alvin Theatre · Original · directed by Edwin Sherin 546 perf.
1978 The Best Little Whorehouse in Texas Entermedia Theatre · Original · directed by Peter Masterson & Tommy Tune 1,584 perf.
1982 The Best Little Whorehouse in Texas Eugene Oneill Theatre · Return-Engagement · directed by Tommy Tune 63 perf.
1983 The Corn Is Green Lunt Fontanne Theatre · Revival · directed by Vivian Matalon 32 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Valerie Leigh Bixler 2 productions
Tom Cashin 2 productions
Susann Fletcher 2 productions
Roger Berdahl 2 productions
Patrick Hamilton 2 productions
Merilee Magnuson 2 productions
Karen Sutherland 2 productions
J Frank Lucas 2 productions
Diana Broderick 2 productions
Delores Hall 2 productions
Clinton Allmon 2 productions
Clare Fields 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any biography.
  • Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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