J. C. Huffman

Also credited on10 works

Blossom Time
Countess Maritza
June Days
Sinbad
The Rose Girl
The Student Prince In Heidelberg
Ziegfeld Follies
Greenwich Village Follies
Irene
Paris

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

• At a time when it was not uncommon for musicals to be built around the talents of one individual, no shows were more vehicular than those created to spotlight the exuberant personality of “Mammy” singer Al Jolson. Though they had large casts, such extravaganzas as Robinson Crusoe, Jr . (1916), Sinbad, Bombo (1921), and Big Boy (1925) were…Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell
• A stylishly mounted, somewhat less elaborate variation on the Ziegfeld Follies format was the Greenwich Village Follies (Ziegfeld even threatened to sue over the use of the Follies name), which came along in 1919 and lasted through eight editions up to 1928. The guiding light was director John Murray Anderson, who made his professional de…Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any staging. This name appears in no production cast list we hold, most often because the person was a writer, composer or designer rather than a performer.
• Which of the credits above the roles on this record (director) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.