Komisarjevsky

Also credited on1 work

Revenge With Music

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

• where there is scarcely a sign of original policy, although M. Komisarjevsky is responsible for the mise-en-scéne of a series of plays at the Court Theatre and A. E. Filmer has done some sensitive work in the mounting of Sierra’s The Kingdom of God at the Strand. A revival of The Way of the World is just due. For the rest, the most obstin…sim_theatre-arts_1928-01_12_1
• A yord). Shakespeare Memorial Festival opening with The Taming of the Shrew, directed and designed by Komisarjevsky. Repertory includes As You Like It, directed and designedsim_theatre-arts_1939-05_23_5

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any staging. This name appears in no production cast list we hold, most often because the person was a writer, composer or designer rather than a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (director) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.