The Drama Nerds Database

Kurt Knudson

Shows · Kurt Knudson

On stage 19821994

On stage 5 productions, 12 years

1982 The Curse of an Aching Heart Little Theatre · Original · directed by Gerald Gutierrez 31 perf.
1984 Sunday in the Park with George Booth Theatre · Original · directed by James Lapine 604 perf.
1985 Take Me Along Martin Beck Theatre · Revival · directed by Thomas Gruenewald 1 perf.
1994 Beauty and the Beast Palace Theatre · Original · directed by Robert Jess Roth 5,461 perf.
1994 Sunday in the Park with George St James Theatre · Revival 1 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

William Parry 2 productions
Nancy Opel 2 productions
Melanie Vaughan 2 productions
Mary D Arcy 2 productions
Mandy Patinkin 2 productions
Judith Moore 2 productions
John Jellison 2 productions
Jeff Keller 2 productions
Danielle Ferland 2 productions
Dana Ivey 2 productions
Charles Kimbrough 2 productions
Bruce Adler 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any biography.
  • Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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