Madeleine Sherwood

On stage 11 productions, 19 years

1952	The Chase Playhouse Theatre · Original	31 perf.
1953	The Crucible Martin Beck Theatre · Original · directed by Jed Harris	197 perf.
1955	Cat on a Hot Tin Roof Morosco Theatre · Original · directed by Elia Kazan	694 perf.
1959	Sweet Bird of Youth Martin Beck Theatre · Original · directed by Elia Kazan	375 perf.
1960	Camelot Majestic Theatre · Original · directed by Moss Hart (Alan Jay Lerner uncredited)	873 perf.
1960	Invitation to a March Music Box Theatre · Original	113 perf.
1961	The Garden of Sweets Anta Playhouse · Original · directed by Milton Katselas	1 perf.
1963	Arturo Ui Lunt Fontanne Theatre · Original · directed by Tony Richardson	8 perf.
1965	Do I Hear A Waltz? 46th Street Theatre · Original · directed by John Dexter	220 perf.
1965	Inadmissible Evidence Belasco Theatre · Original · directed by Anthony Page	166 perf.
1971	All Over Martin Beck Theatre · Original · directed by John Gielgud	40 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once5 names

Martine Bartlett	2 productions
John Karlen	2 productions
Joe Nelson	2 productions
Glenn Stensel	2 productions
Fred Stewart	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.