Mary Mason

On stage 11 productions, 15 years

1927	Golden Dawn Hammerstein's Theatre · Original · directed by Reginald Hammerstein	184 perf.
1929	Great Day Cosmopolitan Theatre · Original · directed by R.H. Burnside	36 perf.
1933	Hummin' Sam New Yorker Theatre · Original · directed by Carey and Davis	1 perf.
1934	The Sky's the Limit Fulton Theatre · Original · directed by Sidney Salkow	24 perf.
1935	Field of Ermine Mansfield Theatre · Original · directed by Ben Ali Haggin	11 perf.
1936	Brother Rat Biltmore Theatre · Original	577 perf.
1936	Call It a Day Morosco Theatre · Original · directed by Tyrone Guthrie	194 perf.
1939	Aries Is Rising John Golden Theatre · Original · directed by Robert Ross	7 perf.
1940	Charley's Aunt Cort Theatre · Revival · directed by Joshua Logan	233 perf.
1940	Goodbye in the Night Biltmore Theatre · Original	8 perf.
1942	Cafe Crown Theatre unknown · Original	141 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once6 names

Richard Clark	3 productions
Nedda Harrigan	2 productions
Jose Ferrer	2 productions
Jos Ferrer	2 productions
Harold Des Verney	2 productions
Alma Reynolds	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.