Patty Goble

On stage 8 productions, 23 years

1988	The Phantom of the Opera Majestic Theatre · Original · directed by Harold Prince	13,981 perf.
1998	Ragtime Ford Center · Original · directed by Frank Galati Musical staging: Graciela Daniele	834 perf.
1999	Kiss Me, Kate Martin Beck Theatre · Revival · directed by Michael Blakemore	881 perf.
2004	La Cage aux Folles Marquis Theatre · Revival · directed by Jerry Zaks	229 perf.
2005	The Woman in White Marquis Theatre · Original · directed by Trevor Nunn	109 perf.
2007	Curtains Al Hirschfeld Theatre · Original · directed by Scott Ellis	511 perf.
2009	Bye Bye Birdie Henry Millers Theatre · Revival · directed by Robert Longbottom	117 perf.
2011	How to Succeed in Business Without Really Trying Al Hirschfeld Theatre · Revival · directed by Rob Ashford	473 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Walter Charles	2 productions
Shannon Lewis	2 productions
Sara Jean Ford	2 productions
Paula Leggett Chase	2 productions
Paul Harman	2 productions
Michael X. Martin	2 productions
Michael Shawn Lewis	2 productions
Michael Mulheren	2 productions
Michael McCormick	2 productions
Megan Sikora	2 productions
Mark Jacoby	2 productions
Marin Mazzie	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.