Shows · Paul Reed
On stage 20 productions, 28 years
| 1940 | The Gondoliers 44th Street Theatre · Revival · directed by Charles Alan | 7 perf. |
| 1940 | The Mikado 44th Street Theatre · Revival · directed by Charles Alan | 7 perf. |
| 1940 | The Pirates Of Penzance 44th Street Theatre · Revival · directed by Charles Alan | 6 perf. |
| 1941 | The Trojan Women Cort Theatre · Original · directed by Margaret Webster | 1 perf. |
| 1942 | La Vie Parisienne Broadway Theatre · Return-Engagement | 17 perf. |
| 1942 | The New Moon Carnegie Hall · Revival · directed by John Pierce | 24 perf. |
| 1945 | Up in Central Park New Century Theatre · Original · directed by John Kennedy | 504 perf. |
| 1947 | Up in Central Park City Center · Revival · directed by John Kennedy | 16 perf. |
| 1948 | Hold It National Theatre · Original · directed by Robert E. Perry | 46 perf. |
| 1949 | All for Love Mark Hellinger Theatre · Original · directed by Edward Reveaux | 121 perf. |
| 1950 | Great to Be Alive! Winter Garden Theatre · Original · directed by Helen Tamiris | 52 perf. |
| 1950 | Guys and Dolls 46th Street Theatre · Original · directed by George S. Kaufman | 1,200 perf. |
| 1953 | Carnival in Flanders New Century Theatre · Original · directed by Preston Sturges | 6 perf. |
| 1954 | By the Beautiful Sea Majestic Theatre · Original · directed by Marshall Jamison | 270 perf. |
| 1954 | By the Beautiful Sea “The New Musical” Majestic Theatre · Original · directed by Marshall Jamison | 270 perf. |
| 1957 | The Music Man Majestic Theatre · Original · directed by Morton DaCosta | 1,375 perf. |
| 1961 | How to Succeed in Business Without Really Trying 46th Street Theatre · Original · directed by Abe Burrows | 1,417 perf. |
| 1963 | Here’s Love Shubert Theatre · Original · directed by Stuart Ostrow | 334 perf. |
| 1968 | I'm Solomon Mark Hellinger Theatre · Original · directed by Michael Benthall | 7 perf. |
| 1968 | Promises, Promises Shubert Theatre · Original · directed by Robert Moore | 1,281 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Wilbur Evans | 5 productions |
| Pat Ferrier | 4 productions |
| Marie Fox | 4 productions |
| Ellen Merrill | 4 productions |
| Allen Stewart | 4 productions |
| William Calvin | 3 productions |
| Wana Allison | 3 productions |
| Walter Tibbetts | 3 productions |
| Thomas Donahue | 3 productions |
| Skeet Guenther | 3 productions |
| Sidney Morton | 3 productions |
| Sibyl Baubre | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.
Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.