Rosetta LeNoire

On stage 7 productions, 27 years

1947	Anna Lucasta National Theatre · Revival · directed by Harry Wagstaff Gribble	32 perf.
1951	Four Twelves Are 48 48th Street Theatre · Original	2 perf.
1959	Destry Rides Again Imperial Theatre · Original · directed by Michael Kidd	472 perf.
1964	Blues for Mister Charlie Anta Playhouse · Original · directed by Burgess Meredith	148 perf.
1968	A Cry of Players Vivian Beaumont Theater · Original · directed by Gene Frankel	72 perf.
1973	A Streetcar Named Desire Vivian Beaumont Theater · Revival · directed by Ellis Rabb	110 perf.
1974	God's Favorite Eugene Oneill Theatre · Original · directed by Michael Bennett	119 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once5 names

Robert Symonds	2 productions
Robert Phalen	2 productions
Ray Fry	2 productions
Don McHenry	2 productions
Bill Moor	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

I Had a Ball

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in. 1 of these have no page here: the work is here as a title and a year and nothing else.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.