Ted Lorraine

On stage 8 productions, 12 years

1909	The Motor Girl Lyric Theatre · Original · directed by Frank Smithson	111 perf.
1915	The Blue Paradise Casino Theatre · Original · directed by J.H. Benrimo	356 perf.
1917	Over the Top Lew Fields 44th Street Roof Garden · Original · directed by J. C. Huffman	78 perf.
1918	The Melting of Molly Broadhurst Theatre · Original · directed by Oscar Eagle	88 perf.
1919	Shubert Gaieties of 1919 44th Street Theatre · Original · directed by J. C. Huffman	87 perf.
1920	The Century Revue Century Promenade · Original · directed by Lew Morton	150 perf.
1921	The Last Waltz Century Theatre · Original · directed by J. C. Huffman	185 perf.
1921	The Midnight Rounders of 1921 Century Promenade · Original · directed by Jack Mason	49 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Gladys Walton	4 productions
Jean Troupman	3 productions
Florence Darling	3 productions
Vivien Oakland	2 productions
Virginia Calmer	2 productions
Viola Bennett	2 productions
Vera Roehm	2 productions
Tot Qualters	2 productions
Thelma Turnbull	2 productions
Sally Long	2 productions
Nan Rainsford	2 productions
Mildred Soper	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.