Tom Bosley

On stage 10 productions, 39 years

1959	Fiorello! Broadhurst Theatre · Original · directed by George Abbott	795 perf.
1959	The Beaux Stratagem Phoenix Theatre · Revival · directed by Stuart Vaughan	16 perf.
1962	Nowhere To Go But Up Winter Garden Theatre · Original · directed by Sidney Lumet	9 perf.
1963	Natural Affection Booth Theatre · Original · directed by Tony Richardson	36 perf.
1964	A Murderer Among Us Morosco Theatre · Original · directed by Sam Wanamaker	1 perf.
1965	Catch Me If You Can Morosco Theatre · Original · directed by Vincent J. Donehue	103 perf.
1968	The Education of H*Y*M*A*N K*A*P*L*A*N Alvin Theatre · Original · directed by George Abbott	29 perf.
1987	Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt	1 perf.
1994	Beauty and the Beast Palace Theatre · Original · directed by Robert Jess Roth	5,461 perf.
1998	Cabaret Kit Kat Klub at Studio 54 · Revival · directed by Sam Mendes & Rob Marshall	2,377 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Hal Linden	3 productions
Susan Egan	2 productions
Rufus Smith	2 productions
Nathaniel Frey	2 productions
June Havoc	2 productions
James Patterson	2 productions
H F Green	2 productions
George S. Irving	2 productions
Dorothy Loudon	2 productions
Dick Latessa	2 productions
Deborah Gibson	2 productions
Amanda Watkins	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

• Act One: “On the Side of the Angels” (Bob Holiday, Nathaniel Frey, Patricia Wilson); “Politics and Poker” (Howard Da Silva, Del Horstmann, Stanley Simmonds, Michael Quinn, Ron Husmann, David London, Julian Patrick); “Unfair” (Tom Bosley, Pat Stanley, Girls); “Marie’s Law” (Patricia Wilson, Nathaniel Frey); “The Name’s LaGuardia” (Tom Bosl…Complete Book of 1950s Broadway Musicals, The - Dan Dietz
• Tony Awards and Nominations : Best Musical (Fiorello! , in a tie with The Sound of Music ); Best Featured Actor in a Musical (Tom Bosley ); Best Featured Actor in a Musical (Howard Da Silva); Best Authors of a Musical (Jerome Weidman and George Abbott , in a tie with Howard Lindsay and Russel Crouse for The Sound of Music ); Best Director…Complete Book of 1950s Broadway Musicals, The - Dan Dietz
• No Where to Go But Up opened and closed in one week in November of 1962, even though it had incredible people in it: Martin Balsam, Dorothy Loudon, Tom Bosley. But I had my own problems. I didn’t work again until I was twenty-six years old. That’s how scared I was.It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer
• Cast: Tom Bosley, Patricia Wilson, Ellen Hanley, Howard Da Silva, Mark Dawson, Nathaniel Frey, Pat Stanley, Eileen Rodgers, Ron HusmannBroadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell
• Fiorello! Tom Bosley, Patricia Wilson, Nathaniel Frey, and Ellen Hanley singing “Till Tomorrow.” (Eileen Darby)Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell
• Cast: Susan Egan, Terrence Mann, Burke Moses, Gary Beach, Beth Fowler, Tom Bosley, Heath Lamberts, Eleanor Glockner, Stacey Logan, Brian Press, Kenny RaskinBroadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record (actor) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.