Shows · William LeMassena
On stage 21 productions, 48 years
| 1940 | The Taming of the Shrew Alvin Theatre · Revival · directed by Harry Wagstaff Gribble | 8 perf. |
| 1940 | There Shall Be No Night Alvin Theatre · Original · directed by Alfred Lunt | 115 perf. |
| 1942 | The Pirate Martin Beck Theatre · Original · directed by Alfred Lunt | 177 perf. |
| 1946 | Hamlet City Center · Revival · directed by George Schaefer | 16 perf. |
| 1948 | Inside U.S.A. New Century Theatre · Original · directed by Robert H. Gordon | 399 perf. |
| 1949 | I Know My Love Shubert Theatre · Original · directed by Alfred Lunt | 247 perf. |
| 1951 | Dream Girl City Center · Revival · directed by Morton Da Costa | 15 perf. |
| 1951 | Nina Royale Theatre · Original · directed by Gregory Ratoff | 45 perf. |
| 1954 | Ondine 46th Street Theatre · Original · directed by Alfred Lunt | 157 perf. |
| 1956 | Fallen Angels Playhouse Theatre · Revival | 239 perf. |
| 1959 | Redhead 46th Street Theatre · Original · directed by Bob Fosse | 452 perf. |
| 1961 | The Conquering Hero ANTA · Original · directed by Albert Marre | 8 perf. |
| 1962 | Romulus Music Box Theatre · Original · directed by Joseph Anthony | 69 perf. |
| 1962 | The Beauty Part Music Box Theatre · Original · directed by Noel Willman | 85 perf. |
| 1969 | Come Summer Lunt-Fontanne Theatre · Original · directed by Agnes de Mille | 7 perf. |
| 1970 | Grin and Bare It! / Postcards Belasco Theatre · Original · directed by Ronny Graham | 16 perf. |
| 1974 | All Over Town Booth Theatre · Original · directed by Dustin Hoffman | 233 perf. |
| 1976 | A Texas Trilogy: The Oldest Living Graduate Broadhurst Theatre · Original · directed by Alan Schneider | 20 perf. |
| 1978 | Deathtrap Music Box Theatre · Original · directed by Robert Moore | 1,793 perf. |
| 1987 | Blithe Spirit Neil Simon Theatre · Revival · directed by Brian Murray | 104 perf. |
| 1988 | The Night of the Iguana Circle In The Square Theatre · Revival · directed by Theodore Mann | 81 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| William Guske | 2 productions |
| Victor Thorley | 2 productions |
| Thomas Gomez | 2 productions |
| Sydney Greenstreet | 2 productions |
| Robert Downing | 2 productions |
| Reby Howells | 2 productions |
| Ralph Nelson | 2 productions |
| Patrick Horgan | 2 productions |
| Pat Ferrier | 2 productions |
| Pamela Payton Wright | 2 productions |
| Marian Winters | 2 productions |
| Marian Seldes | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.
Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.