Everything, 1918

Who was in it117 named

Max Aaronson
John Abbott
J Nelson Adolph
Albert Alberto
Charles T Aldrich
John Aspe
Angel Barbara
Peggy H Barnstead
Charles Bart
Inez Bauer
Louise Beautora
Bluch
Catherine Breen
Inez Breen
John Breen
Nellie Breen
E Brennan
Andrew Byrne
James Byrne
John J Byrne
Louise Cardone
Lillian Carena
D J Carew
Anita Carlton
Anna Carter
J F Carty
James Cheviot
Ethel Clark
F Clarke
Stanley Clarke
Minnie Clifton
Tommy Colton
J Parker Coombs
A Davis
George Davis
Johnny Davis
Leo Davis
Dippy Diers
Genevieve Dix
The El Rey Sisters
Elm City Four
Will J Evans
Charles Floyd
The Four Amaranths
Joseph Frohoff
Albert Froome
Arthur Geary
George Gifford
Phil Gilpin
Camile Guintini
Poppy Guintini
Gerda Gulda
Barbara Harwood
Cissie Hayden
Harry Houdini
Catherine Huth
Albert Johnson
James Johnson
Marjorie Kelly
Ladella Comiques
Ada Lashan
Margaret Leon
Madge Loomis
J Lorimer
Lee Losch
Desiree Lubovska
Loretta Mack
Henry Mallia
Charles Melody
Nellie Melville
Margaret Millard
Bernard Milton
Bertha Moore
Kate Mordecai
Sophie Mordecai
William Morgan
The Musical Johnstons
Alice Nash
Edna Nash
J Nelson
Stella Norelle
Margaret Nugent
Cissie Osborn
Helen Patterson
Florence Phelps
Lillian Quinn
Charles Ravel
Bob Reano
A Rees
Earl Reynolds
Helen Reynolds
Robert Rosaire
Eddie Russell
Netta Russell
Marion Saki
Jean Schreiver
Slayman S Ali Arabs
P Smith
Daisy Smythe
William Stanley
Steele and Winslow
Octavio Tay
Tom Brown S Clown Band
The Two Gaudsmiths
William Unangst
Eugene Vary
Harry Ward
Helen Ward
William A Weston
Adolph Yoscaro
Fernando Yoscaro
Herman Yoscaro
Zip

Creative team

Director

R. H. Burnside

Recordings

5 recordings of Everything exist, but none were released while this run was on. See Everything for all of them.

Around this production

Staged at the enormous Hippodrome Theatre (capacity over 5,000), these extravaganzas were a New York institution. The show ran for 461 performances, a remarkable achievement for the era.

Months after the Broadway opening, patrons drawn to the show by the song’s popular recording would find its subdued staging and abrupt termination odd. “It was almost like it wasn’t there,” adds Schmidt. Before the Parade Passes By Gower Champion and the Glorious American Musical Joh, p. 242