The Drama Nerds Database

Mame, 1983

Shows · Mame · Gershwin Theatre, 1983

Mame
We hold no picture of this staging. This one is filed against Mame and could document any of its runs. None
Revival BroadwayGeorge Gershwin Theatre 41 performances

The run closed August 28, 1983

Opened
July 24, 1983
Closed
August 28, 1983
Performances
41
Previews
7

Of the 464 productions we hold that opened in the 1980s and carry a performance count, this is the 245th longest. That is a rank within what we hold, not within everything that was staged.

Other stagings of Mame 2 more that season

1966 Winter Garden Theatre Original · Gene Saks 1,508 perf.
1970 Transfer Transfer

Who was in it35 named

Ellyn Arons
Alyson Bristol
Marshall Hagins
Roshi Handwerger
Ken Henley
Jacob Mark Hopkin
Michaela Hughes
Suzanne Ishee
Kenneth Kantor
Harry Kingsley
Melinda Koblick
David Loring
Carol Lurie
Daniel Mahon
David Miles
Patrick Sean Murphy
Byron Nease
Viewma Negromonte
Richard Poole
Cissy Rebich
Joseph Rich
Mollie Smith
Fran Stevens
Donald Torres

11 of these 35 names have a person record behind them and link to one. The other 24 are set from the identifier in the cast list, which is a slug of the name, so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Director
John Bowab
Choreographer
John Bowab
Producer
The Mitch Leigh Company

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

Recordings 5 held for the work

None of these is attributed to this staging. They are filed against Mame, and nothing says which production any of them documents. Closing that join is the point of this catalogue and it is not closed yet.

What this page does not know

  • No photograph of this staging.
  • No character names. We can say who was in the company and not who they played.
  • Which of the 5 recordings of Mame document this run, if any.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.