Of the 425 productions we hold that opened in the
2010s and carry a performance count, this is the
63rd longest.
That is a rank within what we hold, not within everything that was staged.
7 of these 10 names have a person record behind
them and link to one.
The other 3 are set from the identifier in the
cast list, which is a slug of the name, so hyphens and full stops are lost
and a few come out wrong. We hold nothing else about them.
Nobody here is matched to a character: the cast list records who was in the
company and not what they played.
A producer is one string on this record, however many people or
companies it names. Directors and choreographers are held both as text and as
identifiers; where an identifier exists the name links to a page.
None of these is attributed to this staging. They are filed
against Oklahoma!, and nothing says which production any of
them documents. Closing that join is the point of this catalogue and it is not
closed yet.
Around this production
Daniel Fish's radical reimagining stripped the show to its dark essence, using a bare community-hall setting and guns on a gun rack. Ali Stroker became the first wheelchair-using performer to win a Tony Award.
Passages naming this production, found by keyword across 178 books.
Where it turns up in the literature, not curated notes about it.
What this page does not know
No character names. We can say who was in the company and not who they played.
Which of the 45 recordings of Oklahoma! document this run, if any.
Reviews, box office, running order, understudies and designers: none of it is held for any production.
