The Drama Nerds Database

Romeo and Juliet, 1918

Shows · Romeo and Juliet · 44th Street Theatre, 1918

Revival Broadway44th Street Theatre

The run closed December 21, 1918

Opened
November 4, 1918
Closed
December 21, 1918
Performances
Unknown
Previews
Unknown

We don't have a performance count. A blank here means the count is unknown, not a short run.

Other stagings of Romeo and Juliet 26 more that season

1754 New Theatre Original
1869 Booths Theatre Revival
1899 Empire Theatre Revival
1904 Knickerbocker Theatre Revival
1905 Knickerbocker Theatre Revival
1907 Lyric Theatre Revival
1909 New Amsterdam Theatre Revival
1910 Academy Of Music Revival
1911 Dalys Theatre Revival
1912 Manhattan Opera House Revival
1913 Manhattan Opera House Revival
1915 44th Street Theatre Revival
1922 48th Street Theatre Revival
1923 Henry Millers Theatre Revival · Frank Reicher 157 perf.
1930 Civic Repertory Theatre Revival · Eva Le Gallienne 16 perf.
1934 Martin Beck Theatre Revival · Guthrie McClintic 77 perf.
1935 Martin Beck Theatre Revival · Martha Graham 15 perf.
1940 51st Street Theatre Revival · Robert Ross 36 perf.
1951 Broadhurst Theatre Revival · Peter Glenville 49 perf.
1956 Winter Garden Theatre Revival · Robert Helpmann 29 perf.
1962 City Center Revival · Franco Zeffirelli
1977 Circle In The Square Theatre Revival · Theodore Mann 77 perf.
1986 Belasco Theatre Revival · Estelle Parsons
2004 Playhouse Theatre Original
2013 Richard Rodgers Theatre Revival · David Leveaux 93 perf.
2024 Tom Stoppard Theatre Original

Who was in itnone yet

No cast list for this production.

Creative team

Producer
Robert B. Mantell Repertoire

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

What this page does not know

  • No photograph of this staging.
  • No character names. We can say who was in the company and not who they played.
  • No recording is held for Romeo and Juliet at all.
  • No performance count.
  • No director named.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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