The Drama Nerds Database

The Happy Time, 1950

Shows · The Happy Time · Plymouth Theatre, 1950

The Happy Time
We hold no picture of this staging. This one is filed against The Happy Time and could document any of its runs. None
Original BroadwayGerald Schoenfeld Theatre 614 performances

The run closed July 14, 1951

Opened
January 24, 1950
Closed
July 14, 1951
Performances
614
Previews
Unknown

Of the 706 productions we hold that opened in the 1950s and carry a performance count, this is the 35th longest. That is a rank within what we hold, not within everything that was staged.

Other stagings of The Happy Time 1 more that season

1968 Broadway Theatre Revival 286 perf.

Who was in it21 named

Leora Dana
Claude Dauphin
Richard Hart
Eva Gabor
Edgar Stehli
Mary Aurelius
Marlene Cameron
Gage Clarke
Oliver Cliff
James O Rear
Roger Dann
Jacques Aubuchon
Fransiska Gaal
Allen Martin
C K Alexander
Joan Andrews
Henry Wadsworth

4 of these 21 names have a person record behind them and link to one. The other 17 are set from the identifier in the cast list, which is a slug of the name, so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.

Creative team

Director
Robert Lewis
Producer
Richard Rodgers

A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.

Recordings 2 held for the work

None of these is attributed to this staging. They are filed against The Happy Time, and nothing says which production any of them documents. Closing that join is the point of this catalogue and it is not closed yet.

What this page does not know

  • No photograph of this staging.
  • No character names. We can say who was in the company and not who they played.
  • Which of the 2 recordings of The Happy Time document this run, if any.
  • Reviews, box office, running order, understudies and designers: none of it is held for any production.

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