Chronicle of a Death Foretold
Shows · Chronicle of a Death Foretold
Based on Gabriel García Márquez's novella, the story unfolds backward from a murder foretold by everyone in a small Colombian town. Santiago Nasar is killed by the Vicario brothers to avenge their sister's lost honor, yet despite the entire town knowing the murder will happen, no one intervenes to prevent it.
- Opened
- 1995
- Performances
- 68
- Type
- Play-With-Music
- Era
- Megamusical
Productions1 on Broadway
| 1995 | Plymouth Theatre Original. June 15, 1995 · Graciela Daniele | 68 performances |
Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.
Licensing not confirmed
| Rights | Not confirmed We have not been able to confirm the publisher. |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
12 passages naming Chronicle of a Death Foretold, found by keyword across 178 books. It's where this show turns up in the literature, not curated trivia about it.
Chronicle of a Death Foretold, 202–3 book:the-complete-book-of-1990s-broadway-musicals-dan-dietz-paxton-mcnallie-2016-rowm#p452
That lineup surprised many, who thought that Big, Victor/Victoria, and even State Fair had solid chances. book:b007l4owcu-ebok-peter-filichia#p176
Chronicle of a Death Foretold was a venturesome musical theater experiment adapted from the Gabriel Garcia Marquez novella and masterminded by director-choreographer Graciela Daniele for Lincoln Center Theater. book:ever-after-the-last-years-of-musical-theater-and-beyond-barry-singer#p94
Weitzman's projects, from My Favorite Year through Hello Again to Chronicle of a Death Foretold had made Lincoln Center Theater any money. book:ever-after-the-last-years-of-musical-theater-and-beyond-barry-singer#p110
Chronicle of a Death Foretold was a venturesome musical theater book:ever-after-the-last-years-of-musical-theater-and-beyond-singer-barry-1957-new-yo#p123
What had happened? André Bishop, Weitzman’s long-time employer, said little. Clearly, though, none of Weitzman’s projects, from My Favorite Year through Hello Again to Chronicle of a Death Foretold had made Lincoln Center Theater any money. book:ever-after-the-last-years-of-musical-theater-and-beyond-singer-barry-1957-new-yo#p143
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