The Drama Nerds Database

Shows · Grey Gardens

Grey Gardens

Opened 2006

307 performances

Musical, Modern

Grey Gardens
Michael J Owens

Act One takes place in 1941 at the Bouvier estate in East Hampton, where the glamorous Edith Bouvier Beale hosts an ill-fated engagement party for her daughter Little Edie, whose dreams of a life in New York are crushed by her domineering mother. Act Two jumps to 1973, where the now-elderly Big Edie and her middle-aged daughter live in squalor in the same crumbling mansion with dozens of cats, their co-dependent relationship a haunting echo of the choices made decades before.

Music
Scott Frankel
Lyrics
Michael Korie
Book
Doug Wright

Productions1 on Broadway

2006
Walter Kerr TheatreBroadway Original, opened November 2, 2006, directed by Michael Greif
307 performances, 3 Tony wins

Recordings 3 recordings

2006
Grey Gardens (Original Off-Broadway Cast)
Grey Gardens (Original Off-Broadway Cast) PS Classics PS-642, released August 22, 2006
United States
2007
United States
2007
Grey Gardens (Original Broadway Cast Recording)
Grey Gardens (Original Broadway Cast Recording) PS Classics PS-642, released March 27, 2007

Licensing 1 entry

US Concord Theatricals Concord Theatricals available

Grey Gardens is a musical with book by Doug Wright, music by Scott Frankel, and lyrics by Michael Korie, produced in 2006 and based on the 1975 documentary of the same title about the lives of Edith Ewing Bouvier Beale ("Big Edie") and her daughter Edith Bouvier Beale ("Little Edie") by Albert and David Maysles. The Beales were Jacqueline Kennedy's aunt and cousin, respectively. Set at Grey Gardens, the Bouviers' mansion in East Hampton, New York, the musical tracks the progression of the two women's lives from their original status as rich and socially polished aristocrats to their eventual largely isolated existence in a home overrun by cats and cited for repeated health code violations. H…

“In this first act of the past, he immediately grasped an opportunity to forge the myth, originate dialogue and situations based on the truth—but not cinema verité—and a chance to stylize the past in the manner of a Philip Barry drawing room.”

B007l4owcu Ebok Peter Filichia, p. 315

“Hominy Grits” was a takeoff on the type of song that erstwhile white songwriters wrote in a southern black style. “Two Peas in a Pod” was a list song that incorporated period references (“Like Crosby and Hope; a rosy complexion and Ivory Soap.”) They also made room for an Irving Berlin–like ditty, “Will You?” in which…

B007l4owcu Ebok Peter Filichia, p. 316

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