I Can Get It For You Wholesale

Productions1 on Broadway

1962

Shubert Theatre Original. March 22, 1962 · Arthur Laurents

300 performances

Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.

Recordings 6 albums held

Licensing 2 entries

US	Concord Theatricals Tams-Witmark	available
UK	Concord Theatricals Tams-Witmark	available

Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.

32 passages naming I Can Get It For You Wholesale, found by keyword across 178 books. It's where this show turns up in the literature, not curated trivia about it.

I Can Get It for You Wholesale, 98, 149, 159-161, 172 book:broadway-musicals-the-101-greatest-shows-of-all-time-bloom-ken-1949-vlastnik-fra#p339

I Can Get It for You Wholesale, featuring the Broadway debut of Barbra Streisand, opens at the Shubert Theater. book:historical-dictionary-of-the-broadway-musical-volume-22-william-a-everett-paul-r#p27

Joey Heatherton; when she tried to block the casting of Elliot Gould (of the 1962 I Can Get It For You Wholesale), though, she was told that casting was none of her business and sent packing. book:more-opening-nights-on-broadway-a-critical-quotebook-of-compiled-by-steven-suski#p272

So why not a South African/Yiddish score? Rome was an expert on native music of both stripes, it turned out, and the understated Zw/u is actually quite entrancing when taken on its own terms. It was tied to a hopeless interracial soap opera plot, though, causing songs and show to disappear quickly. The mid-60s being an… book:more-opening-nights-on-broadway-a-critical-quotebook-of-compiled-by-steven-suski#p1021

"I Can Get It for You Wholesale, 239, 250, 399, 999" book:more-opening-nights-on-broadway-a-critical-quotebook-of-compiled-by-steven-suski#p1140

Rome was an expert on native music of both stripes, it turned out, and the understated Zułu is actually quite entrancing when taken on its own terms. It was tied to a hopeless interracial soap opera plot, though, causing songs and show to disappear quickly. The mid-’60s being an especially dry era for writers of tradit… book:more-opening-nights-on-broadway-steven-suskin#p1020