The Golden Apple
Shows · The Golden Apple
Using Homer’s Odyssey and Iliad as models, Jerome Moross and John Latouche updated the epics to the period between 1900 and 1910 and relocated the action in the state of Washington. With spoken dialogue cut to a minimum, the story is told through a steady stream of musical numbers (including the popular hit, “Lazy Afternoon”) and relates the consternation caused in the town of Angel’s Roost (near Mt. Olympus) when a…
- Opened
- 1954
- Performances
- 173
- Type
- Musical
- Era
- Golden Age
Productions1 on Broadway
| 1954 | Phoenix Theatre Original. March 11, 1954 · Norman Lloyd | 173 performances |
Every Broadway staging held in broadway-data, sourced to IBDB. West End runs are not yet held.
Recordings 2 albums held
Licensing 2 entries
| US | Concord Theatricals Tams-Witmark | available |
| UK | Concord Theatricals Tams-Witmark | available |
Read from the licensor's own pages and catalogues. Rights move, and an empty row means we have not confirmed a publisher, not that the show cannot be licensed.
34 passages naming The Golden Apple, found by keyword across 178 books. It's where this show turns up in the literature, not curated trivia about it.
Bolin, Shannon Golden Apple, The, 160 book:broadway-musicals-show-by-show-green-stanley-green-kay-5th-ed-rev-and-updated-by#p353
These included Menotti’s The Consul (1950), The Saint of Bleecker Street (1954), and Maria Golovin (1958), Jan Meyerowitz’s The Barrier (1950), Samuel Friedman’s (and, to be sure, Verdi’s) My Darlin’ Aida (1952), Jerome Moross’s The Golden Apple book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p3
for this hot-air balloon survey we must regretfully include one of the most glorious musicals in the history of our theatre: for The Golden Apple (which depicted the story of The Iliad and The Odyssey as told from the perspective of turn-of-the-century America) saw Paris and Helen take flight on a hot-air balloon and t… book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p377
The work was selected as the season’s Best Musical by the New York Drama Critics’ Circle, the first Off-Broadway musical so honored. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p380
For the Broadway production, Shannon Bolin succeeded Geraldine Viti in the roles of Mrs. Juniper and Calypso (but Viti remained as standby for Bolin, Kaye Ballard, and Bibi Osterwald); Martha Larrimore succeeded Nola Day in the roles of Mother Hare and Circe; and Martin Kean succeeded Larry Celsi as Patroclus. book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p382
Although The Golden Apple (1954) wasn’t a financial success, it’s one of the artistic highpoints of American musical theatre. It won the New York Drama Critics’ Circle Award for Best Musical (of 1953–1954), left behind a cast album and a popular standard in “Lazy Afternoon” (which Ballard introduced), and it landed her… book:complete-book-of-1950s-broadway-musicals-the-dan-dietz#p556
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