Larry Bryggman

On stage 10 productions, 38 years

1974	Ulysses in Nighttown Winter Garden Theatre · Original · directed by Burgess Meredith	69 perf.
1976	Checking Out Longacre Theatre · Original · directed by Jerry Adler	15 perf.
1977	The Basic Training of Pavlo Hummel Longacre Theatre · Original · directed by David Wheeler	117 perf.
1979	King Richard III Cort Theatre · Revival · directed by David Wheeler	31 perf.
1990	Prelude to a Kiss Helen Hayes Theatre · Original · directed by Norman René	440 perf.
1994	Picnic Criterion Center Stage Right · Revival · directed by Scott Ellis	45 perf.
2000	Proof Walter Kerr Theatre · Original · directed by Daniel Sullivan	917 perf.
2004	Twelve Angry Men American Airlines Theatre · Original · directed by Scott Ellis	228 perf.
2006	Festen Music Box Theatre · Original · directed by Rufus Norris	49 perf.
2012	Harvey Studio 54 · Revival · directed by Scott Ellis	62 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once6 names

Stephen Kunken	2 productions
Paul Guilfoyle	2 productions
Max Wright	2 productions
Mary-Louise Parker	2 productions
Debra Monk	2 productions
Al Pacino	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.