Mary-Louise Parker

On stage 9 productions, 32 years

1990	Prelude to a Kiss Helen Hayes Theatre · Original · directed by Norman René	440 perf.
1996	Bus Stop Circle In The Square Theatre · Revival · directed by Josephine R. Abady	29 perf.
2000	Proof Walter Kerr Theatre · Original · directed by Daniel Sullivan	917 perf.
2004	Reckless Biltmore Theatre · Original · directed by Mark Brokaw	77 perf.
2009	Hedda Gabler American Airlines Theatre · Revival · directed by Ian Rickson	74 perf.
2013	The Snow Geese Samuel J Friedman Theatre · Original · directed by Daniel Sullivan	60 perf.
2016	Heisenberg Samuel J Friedman Theatre · Original · directed by Mark Brokaw	67 perf.
2019	The Sound Inside Studio 54 · Original · directed by David Cromer	100 perf.
2022	How I Learned to Drive Samuel J Friedman Theatre · Original · directed by Mark Brokaw	60 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once3 names

Larry Bryggman	2 productions
Johanna Day	2 productions
Debra Monk	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.