Leah Hocking

On stage 9 productions, 22 years

1992	Guys and Dolls Martin Beck Theatre · Revival · directed by Jerry Zaks	1,143 perf.
1994	Grease Eugene O'Neill Theatre · Revival · directed by Jeff Calhoun	1,505 perf.
1997	Jekyll & Hyde Plymouth Theatre · Original · directed by Robin Phillips	1,543 perf.
2000	The Wild Party Virginia Theatre · Original · directed by Gabriel Barre	54 perf.
2001	Mamma Mia ! Winter Garden Theatre · Original · directed by Phyllida Lloyd	5,758 perf.
2002	Dance of the Vampires Minskoff Theatre · Original · directed by John Rando	56 perf.
2005	All Shook Up Palace Theatre · Original · directed by Christopher Ashley	213 perf.
2008	Billy Elliot Imperial Theatre · Original · directed by Stephen Daldry	1,312 perf.
2014	The Last Ship Neil Simon Theatre · Original · directed by Joe Mantello	105 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in. That is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Mark Price	3 productions
Paul Castree	2 productions
Michelle Kittrell	2 productions
Michael James Scott	2 productions
Michael Arnold	2 productions
Liz Mccartney	2 productions
Jonathan Hadary	2 productions
Drew McVety	2 productions
Carlos Lopez	2 productions
Ashley Amber Haase	2 productions
Adam Grupper	2 productions
Aaron Lazar	2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership. A long-running company puts the same forty people together every night, but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any biography.
• Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record () apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.