Shows · Sid Kuller
Sid Kuller (27 October 1910 New York City, New York – 16 September 1993 in Sherman Oaks, California) was an American comedy writer, producer and lyricist/composer, who concentrated on special musical material, gags and sketches for leading comics. He collaborated with Ray Golden and Hal Fimberg on the screenplay of the Marx Brothers' vehicle The Big Store, for which he also supplied the lyrics to the musical climax, "The Tenement Symphony". Earlier in their careers, Kuller and Golden wrote comedy songs and special material for the Ritz Brothers. Although he wrote prodigiously and with facility throughout his life, Kuller admitted, "The creation of comedy is a painful experience".
Also credited on4 works
Alive and Kicking
Swing!
Parade
Sugar
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Lyrics : Paul Francis Webster, Ray Golden, Harold Rome, Sid Kuller, Leonard Gershe, and Mike Stuart (Michael Stewart)Complete Book of 1950s Broadway Musicals, The - Dan Dietz
- Music : Hal Borne, Irma Jurist, Sammy Fain, Harold Rome, Ray Golden, Sonny Burke, Leonard Gershe, Billy Kyle, Sid Kuller, and Leo SchumerComplete Book of 1950s Broadway Musicals, The - Dan Dietz
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold, most often because the person was a writer, composer or designer rather than a performer.
- Any portrait. Most people in this catalogue don't have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record (composer, lyricist) apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.
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