Manhattan Opera House
Shows · Manhattan Opera House
Koster and Bial's Music Hall was an important vaudeville theatre in New York City, located at Broadway and Thirty-Fourth Street, where Macy's flagship store now stands. It had a seating capacity of 3,748, twice the size of many theaters. Ticket prices ranged from 25¢ for a seat in the gallery to $1.50 for one in the orchestra. The venue was founded by John Koster (1844-1895) and Albert Bial (1842-1897) in the late 19th century and closed in 1901. == History == The music hall featured many top performers of its day and is famous in cinema history as the site of the first public exhibition of the Vitascope on April 23, 1896. Albert Bial booked some of the greatest variety and mainly foreign mu…
By decade40 productions across 4 decades
Counted from the productions we hold, which are Broadway and a partial West End. A quiet decade here can mean a dark theatre and can mean a gap in the record.
Longest runs hereby performances
| 1917 | Chu Chin Chow October 22, 1917 · E. Lyall Swete | 208 perf. |
| 1912 | The Whip November 22, 1912 | 163 perf. |
| 1914 | Life October 24, 1914 · Frank Hatch | 161 perf. |
| 1937 | The Eternal Road January 7, 1937 · Max Reinhardt | 153 perf. |
| 1910 | Hans, the Flute Player September 20, 1910 · Jacques Coini | 79 perf. |
| 1913 | Hop o' My Thumb November 26, 1913 · Ernest D'Auban | 46 perf. |
| 1919 | The Luck of the Navy October 14, 1919 · Percy Hutchison | 32 perf. |
| 1918 | The Voice of McConnell December 25, 1918 · Sam Forrest | 30 perf. |
Ranked among the 17 runs here that carry a performance count. 23 do not, so a longer run may be sitting outside this table with an empty field.
Everything that played here40 productions
| 1908 | Louise January 3, 1908 · Original | |
| 1910 | Hans, the Flute Player September 20, 1910 · Original | 79 perf. |
| 1912 | An Aztec Romance September 16, 1912 · Original | 8 perf. |
| 1912 | As You Like It September 30, 1912 · Revival | |
| 1912 | Macbeth September 30, 1912 · Revival | |
| 1912 | Much Ado About Nothing September 30, 1912 · Revival | |
| 1912 | Romeo and Juliet September 30, 1912 · Revival | |
| 1912 | The Merchant of Venice September 30, 1912 · Revival | |
| 1912 | The Taming of the Shrew September 30, 1912 · Revival | |
| 1912 | The Whip November 22, 1912 · Original | 163 perf. |
| 1912 | Twelfth Night September 30, 1912 · Revival | |
| 1913 | As You Like It September 22, 1913 · Revival | |
| 1913 | Hamlet September 22, 1913 · Revival | |
| 1913 | Hop o' My Thumb November 26, 1913 · Revival | 46 perf. |
| 1913 | If I Were King September 22, 1913 · Revival | |
| 1913 | Macbeth September 22, 1913 · Revival | |
| 1913 | Romeo and Juliet September 22, 1913 · Revival | |
| 1913 | The Old Homestead September 1, 1913 · Revival | |
| 1913 | The Taming of the Shrew September 22, 1913 · Revival | |
| 1913 | Twelfth Night September 22, 1913 · Revival | |
| 1914 | Life October 24, 1914 · Revival | 161 perf. |
| 1917 | Chu Chin Chow October 22, 1917 · Original | 208 perf. |
| 1918 | Experience January 22, 1918 · Revival | 23 perf. |
| 1918 | The Garden of Allah February 25, 1918 · Revival | 24 perf. |
| 1918 | The Voice of McConnell December 25, 1918 · Original | 30 perf. |
| 1919 | Forbidden December 20, 1919 · Original | 18 perf. |
| 1919 | The Luck of the Navy October 14, 1919 · Original | 32 perf. |
| 1920 | Wo Die Lerche Singt December 27, 1920 · Original | 5 perf. |
| 1921 | Iphigenia in Aulis April 17, 1921 · Revival | 1 perf. |
| 1921 | The Three Musketeers May 19, 1921 · Original | 5 perf. |
| 1923 | Hamlet November 26, 1923 · Revival | 24 perf. |
| 1926 | Cancionera May 17, 1926 · Original | |
| 1926 | Don Juan Tenorio May 17, 1926 · Original | |
| 1926 | Dona Maria La Brava May 17, 1926 · Original | |
| 1926 | El Caudal De Los Hijos May 17, 1926 · Original | |
| 1926 | La Condesa Maria May 17, 1926 · Original | |
| 1926 | La Malquerida May 17, 1926 · Original | |
| 1926 | Locura de Amor May 17, 1926 · Original | |
| 1927 | Broken Wings December 8, 1927 · Original | 17 perf. |
| 1937 | The Eternal Road January 7, 1937 · Original | 153 perf. |
In the literature3 passages
- Der Weg der Verheissung (biblical drama, Franz Werfel), 1934–35 [incomplete]; revised by Weill and Ludwig Lewisohn as The Eternal Road, New York, Manhattan Opera House, 7 January 1937.Weill's Musical Theater_ Stages of Reform - Stephen Hinton
- 92 . Meyer Weisgal, . . . So Far, 116–17. The Eternal Road ended up being one of the last major theatrical productions at the Manhattan Opera House before it became a meeting hall in 1940. Having built the venue in 1906 in direct competition with the Metropolitan Opera House, Oscar Hammerstein ended up selling it to the head of the Met, O…Weill's Musical Theater_ Stages of Reform - Stephen Hinton
- Argentine in her native language at the Manhattan Opera House, from which playhouse Angelo Musco has just pulled up stakes after a long run of Italian comedy in Italian. And the Irish Players are pleasantly housed at the Hudson, where, without any sign of a riot (happily or unhappily) they have brought The Plough and the Stars beautifully…sim_theatre-arts_1928-01_12_1
What this page does not know
- What played here before Broadway record-keeping starts, and what played here outside it: concerts, benefits, film runs, anything that was not a listed production.
- How long 23 of these runs lasted. We don't have a performance count.
- When 16 of these runs ended. They carry an opening date and no closing date, and they are old enough that they certainly closed. Nobody wrote down the date.
- How many seats.
- Who built it.
Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.